Working at the intersection of contemporary art practice and community engagement, I organize exhibitions that amplify the work of emerging and established artists.

My curatorial methodology centers on a triadic relationship between artist, artwork, and audience. Through carefully considered spatial interventions and strategic juxtapositions, I invite viewers to encounter art not as passive spectators but as active participants in an unfolding discourse.

This approach is informed by my tenure at Brooklyn Children’s Museum, where I developed immersive, participatory exhibitions in collaboration with artists, institutional leadership, and community stakeholders. This experience fundamentally shaped my understanding of how exhibitions can function as sites of encounter, where diverse publics engage with contemporary art on their own terms while being challenged to expand their frameworks of understanding.

Beyond traditional gallery contexts, I extend these curatorial concerns into design-forward hospitality projects and cultural programming that blur boundaries between art, social practice, and civic life. Whether working with artists, youth collectives, or neighborhood organizations, I am invested in creating durational experiences—exhibitions, workshops, public interventions—that resist the ephemerality of the opening-night model and instead embed themselves within the ongoing rhythms of local cultural production.

Ultimately, my practice operates from the conviction that curation is an act of care and infrastructure-building to connect public, art, and artist: creating the conditions not merely for viewing art, but for the kinds of sustained engagement and transformation that art makes possible